This months cover by Aleksandar Ares, with layout & original photo by K.K.W. On the cover, Filip Panovski. |
Filip Panovski, photo by K.K.W |
There's a retro-primitive feel to the video - a strange connection to an ancient past
that has been forgotten by the common man, let lurks in subconscious of some.
It creates a fine line between art and idolatry; a subjective moodiness that shifts from light to dark, then back again.
Still-shot from "Electric Reptility". Photo by K.K.W, courtesy of the artist. |
While man in the generic sense considers itself superior, he longs [secretly] to return to the primitive; after all, the "reptilian brain"/R-complex [the brain stem] in humans is very similar with the brains of reptiles. And though mankind is warm-blooded, we often behave in a "cold-blooded" way that goes against the nature of civilization. The sculpture features a humanoid face with a body thats not totally reptilian, nor fully human, as it clings to what appears to be 3 books. Its mute, pensive, almost expressionless face stares forward with complete impunity.
Still-shot from "Electric Reptility". Photo by K.K.W, courtesy of the artist. |
Panovski's directing and editing is both subtle in its style yet powerful, which parallels the simplicity of the sculpture. The camera circles the subject like the members of a cult gathering around the icon of their deity. The strange movement
from light to dark permeates the visuals like the first rising signs, of an acid-frenzy. Mirjana Nedeva's camera control is hypnotic, drawing you towards the sculpture, reinforcing the intensity and the moody feel. She certainly has a lot of skill. The music works in pace with the visuals, holding the other aspects together; an elegant-electronic, slightly-somber, pulsating, dark, digital-wave.
Still-shot from "Electric Reptility". Photo by K.K.W, courtesy of the artist. |
If you would like to know more, & or watch the video, go to:https://vimeo.com/101000889. 'Art is the reason, art is the way'
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