Wednesday, July 3, 2013

Paris: Late 19th century urban change

This months cover by K.K.W,
with layout by Aleksandar Ares
Urban change / urban renewal in 19th Century Paris. By K.K.W

"Any Major changes to a city's landscape / layout reflects either the concious or subconcious of the populace, or predates it. This is usually through the actions of one or more persons in conjuction with those in power (its educated and or dominant classes). And although its generally for the good of the city, its people and greater civic harmony, as an equation its never balanced."  (Aleksandar Ares)

Larmartine in front of the Town Hall of Paris
rejects the red flag on 25 February 1848.
By Henri Felix Emmanuel - image courtesy of Wikipedia.
From the late 19th to the mid 20th century the major factors of urban change has been war, technology, social revolution & class struggle. All of which are influenced by politics and economic factors. One of the two main epicenters of these changes are France and Germany via Baron Haussmann & Walter Gropius.  Both would leave its  mark on history and influence many other cities throughout the world. 

The industrial revolution changed the methods of production, and indirectly caused the demise of most other opposite means of production in textiles, printing, metal, etc. This would cause huge population shifts from rural to urban centers. 





 Louis Philippe I (the bourgeois Monarch)



In France this would eventually lead to social imbalances between the working class, bourgeoisie [petite, financial & industrial], the nobility & aristocracy due to economic recession and lack of proper participation in government. This was still old Paris;  narrow / irregular,  poorly-lit streets, with no sidewalks for the most part, and an out-dated sewer system. Most of the areas were over-crowed, quite dirty and dangerous. Ever since the revolution of 1789 the lower classes had a taste for reform & revolt quickly realizing how to build defenses in the streets to hold off the soldiers (who were use to fighting in open fields not urban environments).



At the time Louis Philippe I (the bourgeois Monarch) sat at the head of a moderately liberal state, controlled mainly by educated elite's (the July Monarchy ), starting in 1830. He was quite the businessman and had, before becoming head of state, become one of the richest men in France. As he thought of himself as a small businessman (petite bourgeoisie), he and his government did not look favorable on big business. Though, he did support the bankers, stock exchange magnates, railroad barons, owners of coal & iron ore mines and large landowners. 

Portion of a map of Paris before  major changes in 1860.
Image courtesy of Wikipedia
Louis Philippe was, for the most part indifferent to the needs of society. By 1846 the country was griped by a financial crisis and bad harvests, with the following year seeing a depression. At this point  estimates show that  1/3 of Paris was on the dole (a form of welfare). Those in business who felt outside the favor the the new regime began to side with the middle & working class. Meanwhile campaign & political banquets (intended to circumvent the government restrictions on political gathering & meetings - which were outlawed) were happening to raise funds for opposition against the current regime.

However,  by February 1848 all of these were outlawed, which caused a large amount of the people to revolt. Feb 22nd saw crowds of Parisians flooding out into the streets. Paris was soon a barricaded city via omnibuses  and thousands of felled trees, fires were set as angry citizens began converging on the Royal Palace. This would lead to the establishment of the Second Republic, started by the liberal opposition on Feb 26th 1848. The governments  2 main problems were unemployment and universal male suffrage (the right to vote). The creation of the National Workshops  did help, employing 100,000 and on March 2nd 1848 universal male suffrage was enacted.








Job seekers from all over France came to Paris for work in the National Workshops, causing the population to balloon. In order to help  pay for this the government placed new taxes on land. This would alienate the land-classes from the provincial government,  further worsening the situation. And as the taxes were widely ignored in the rural areas, the government became financially strapped for cash. 







  
Georges Eugene Haussmann
(A.K.A Baron Haussmann)
Image courtesy of Wikipedia

Mean while the conservative element of french society were quickly organizing against the government, around the need for order (earning them the name "The party of order").  And having become the dominant member of the government, they closed the National workshops on June 21 1848 - leading to another armed revolt (The June uprising) by the working class (abut 170,000) in Paris. It took a force of 120,000  soldiers lead by General Louis Eugene Cavaignac 2 days to suppress the uprising, given that the rebels knew how to blockade and use the narrow irregular streets to their advantage. Despite the fact that during the Feb uprisings the petite bourgeoisie and working class were united, the bourgeoisie politicians abandoned them. The "Party of order" quickly moved to consolidate the reaction forces in the government and elect Cavaignac as head of the french state (June 28 1848). This of course, until elections were held on Dec 10th 1848, where Louis Napoleon Bonaparte  was elected (by popular vote of the peasantry).

By  Dec 2nd 1851 Louis Napoleon Bonaparte would, with popular support and that of the army, seize dictatorial powers and be crowned Napoleon III on Dec 2 1852. It was during this time he took strong measures to modernize Paris, based on what he had seen in London during his exile there in 1840. A major aspect the design decisions were taken in order to prevent future uprisings, from taking advantage of the small medieval streets to form barricades. A modern sewage system would be built to improve health, new housing with larger apartments for the masses, green parks all over the city, with large thoroughfares and broad avenues. Most, if not all of this was directed by Baron Haussmann, a man who would be both loved and hated much like his emperor.  
Louis Napoleon Bonaparte
(Napoleon III)
Image courtesy of Wikipedia
The main lines created or transformed
between 1850 & 1870 in the centre of Paris.
Image courtesy of Wikipedia.
The original 12 Arrondissements of Paris.
Image courtesy of Wikipedia
The buildings, along with the avenues and thoroughfares would be of a uniformed design and look  - aspects that would become common to most other major cities in 20th & 21st century ("...geometry and graphic design play a more important role than architecture itself..." Baron Haussmann). A fusion of residential buildings with retail space on the ground floors would become the norm, features that would become common  around the world. What started as a need for serious urban change and renewal, actually reflected the concious or subconcious of the populace (though perhaps not the poor and those who were evicted from sections marked for demolition). The renovations of the city-centre provoked a major rise in rents, forcing the poorer families towards Paris' outer arrondissements. 
Paris 1889. Image courtesy of Wikipedia 
Originally there were only 12 arrondissements before 1860, these were rearranged with 8 more added. No eastern neighborhood in Paris benefited from the renovations the way the western neighborhoods did. The poor became concentrated in arrondissements neglected by the renovations.  Prior to these renovations one could find bourgeoisie on the second floor, civil servants and employees on the third & fourth,  low-wage employees on the fifth, house staff, students and the poor under the eaves (this of course varied from quarter to quarter). This feature would disappear in its majority after the renovations. If one thinks about, a scattered community will find it harder to unite and so will pose less a threat to the established order. To Parisians and the French in general working-class people were still the dangerous classes, and the zonage that was established still dominates today: from the centre to the west, offices and wealthy neighborhoods; from the east and outer rim, poorer housing and industry.

Despite negative outcome of Haussmann's renovations to Paris
it did bring about many great things; Disease epidemics (save tuberculosis) ceased, traffic circulation improved and new buildings were better-built and more functional than their predecessors. The Second Empire renovations left such a mark, that all subsequent trends and influences were forced to refer to, adapt to, or reject it.      

The Arrondissements after the major
urban changes of 1860, 8 added to the original 12.
Image courtesy of Wikipedia. 

View from over the 7th Arrondissement.
Image courtesy of wikipedia.

Boulevard Haussmann.
Image courtesy of wikipedia.

Paris @ night from the top of the Tour Montparnasse.
Image courtesy of Wikipedia.
If you would like to know more, go to:http://en.wikipedia.org/wiki/Haussmann%27s_renovation_of_Paris, or:http://en.wikipedia.org/wiki/French_Revolution_of_1848
"Art is the reason, art is the way"

Tuesday, June 18, 2013

Letters from Pocket Embassy


This months cover by Aleksandar Ares,
layout by K.K.W. Cover image is
from the project Rise Of The Young Ones.
Experimental video art @ []Nothing Space. Photos & article by K.K.W
Curators Cristin Anne Hughes (right) & Cylixe
As the world becomes more connected, shared experiences becomes more common, either direct or indirect. However the ability to relate to some else's experience through art, is a matter of the viewer and creator being able to connect.

And while didn't connect with all of the videos screened, they were all creatively well done & interesting none the less.
Scene from "Staedtchen" by Mandy Kerbs.
There was something haunting about "Staedtchen" in its still images, the erie sense of peacefulness to the area, closed off and inaccessible save for certain kind of permit. The work deals with the structures and demarcation of accessibility in public spaces. With the seemingly over-blown security rituals in a place does not need it, you sense the need for this, to give greater meaning something ordinary.      
Scene from "Staedtchen" by Mandy Kerbs.
Scene from "Staedtchen" by Mandy Kerbs.
Scene from "Back street" by Annemarie Blohm
Scene from "PETER IST TOT" (PETER IS DEAD)
by Clemens Wilhelm
"Peter Ist Tot" was probably the best of all the videos screened. Heartfelt in its curiosity, a story simply told consisting of found photographs of a strangers life. A moving, fictive biography is formed making one ask, why does the life of a stranger interest us a times? Can the life of seemingly ordinary person become extraordinary?      
Scene from "PETER IST TOT" (PETER IS DEAD)
by Clemens Wilhelm

Scene from "KEYSTONE"
By Constantin Hartenstein
Scene from "The Plentifulness Paradox"
by Deborah Uhde
Scene from "The Plentifulness Paradox"
by Deborah Uhde
Scene from "Too Much"
By Jochen Isensee
"Too Much" was a hypnotic visual spectacle of media-grotesqueness leading the viewer to a sensation of fearful over-load. You become bound to battlefield of violent suggestions, where the subtitles begin to form a strange textual chain of information. The video is an experimental animation-collage freely adapted from Nietzsche, how he was read by Foucault. 
Scene from "Too Much"
By Jochen Isensee
Scene from "Trip To The Soon"
by Kalle von Karl
Scene from "Mustang Jeans"
by Marko Shiefelbein
"Mustang Jeans" was amazing in that its impact is matched only by the simplicity of the video, and the sublime nature of the idea behind it. The power of the content coming from the woman telling a story that seems unbelievable, yet so real. In a way its almost whimsical when you realize what she's  talking about.
Scene from "Hach Blitzstrudel Hey" by
Kalle Von Karl
Scene from "Army of Bollo - There will be
Mannerchore" by Marius Roth
Scene from "Blue Distortion"
by Frank Bubenzer. 
Scene from "Learning to Fly"
by Julia Richter
Scene from "Florilegiae - a rhapsody in 3 parts"
by Cylixe
Cylixe's video is a visual delight bordering on a lucid dream. The viewer moves from one thing to the next with little time to consider, only a quick-fix of constant changing scenes with a perfect voice-over narration, about the chemical make-up of the human body. One can see a frightening interpretation of high intensity urban life, fueled by caffeine and possibly other kinds of drugs. Its visually arresting, drawing you into an extended moment thats real, and a dream.     
Scene from "THE OVO (Ovo - the Video)
by Michael Brynntrup
Scene from "THE OVO (Ovo - the Video)
by Michael Brynntrup





Curators Cristin Anne Hughes (right) & Cylixe
If you would like to know more, go to:www.mandykrebs.de, www.clemenswilhelm.com, www.fruehfeuer.com, www.duhde.de, www.jooki.de, www.kallekarl.org, https://vimeo.com/52149611, www.frankbubenzer.de, www.juliacharlotterichter.com, www.cylixe.net, www.brynntrup.de, www.nothingspace.org "Art is the reason, art is the way"

Thursday, June 13, 2013

Istanbul: Dark days ahead for Turkey?

This months cover by Aleksandar Ares,
with layout by K.K.W.
Cover image is from the project
Rise Of The Young Ones.
"Diren Gezi" - Turkey; dark days ahead? By K.K.W

"...big things have small beginnings..." (David - "Prometheus" Directed by Ridley Scott)

Biking up 3rd Ave in Manhattan last week, I saw a small but boisterous group of people, signs held high, protesting for solidarity with Turkey.
Prime minster  Recep Tayyip Erdogan.
Image courtesy of Wikipedia 
Along with Istanbul, demonstrations spread to 67 provinces within the country. The initial protest held by about 50 environmentalists opposing the replacement of Taksim Gezi Park with a reconstruction of the historic Taksim Military Barracks (demolished in 1940).
One of the logo's of some protesters. 
For a brief while the they halted the bulldozing of the park. However on the morning of May 28, the protesters, camping out in Gezi park (along with others) were routed by the Zabita municipal police with tear-gas, water hoses with their tents then burned. Like many other countries Turkey has a history of police brutality.  
Photo courtesy of Media-center/smugmug.com
The park is one of the few remaining green spaces left in the European side of Istanbul. Despite the anger sparked by the Gezi incident, the current government leadership under Prime Minister Erdogan (AKP - Justice & development party) has increased restrictions on freedom of speech, the press, internet use, television content and the right to free assembly (1).   
Photo courtesy of www.ibtimes.com
At the same time, especially since 2011, the AKP party have pushed forward an Islamist agenda, aimed @ a more "pious generation"
The party has developed and increased its links with Turkish media groups to help further its agenda. It has used administrative and legal measures (in one case a 2.5 billion tax fine) against critical media groups and journalists (2).  
Photo credits unknown
Restrictions on alcohol consumption have been pushed through Parliament, many have been given jail sentences for blasphemy. The government have also tried to make abortion virtually unobtainable and opposed extension of LGBT rights in the country (3). 

The main thing to note is that the AKP has govern since 2002, then won elections in 2007 & 2011 by large margins.

Under its rule the economy of Turkey has recovered from the 2001 financial crisis, driven in part by a construction boom.
And while construction has been a major drive, this has involved little local consultation, being opposed by widespread coalitions of diverse interests. Despite this fact the government has turned a deaf ear & blind eye to most if not all opponents to these projects (4). 

The construction boom has even spread to Macedonia - with Cevahir Holding investing some 300 million euros to build four 4-storey skyscrapers in the capital, Skopje (5). This has raised numerous concerns within Skopje given Turkeys political problems, and its past historical dealings with the Balkans.

While economic gains are something quite positive for a nation, and the stability that comes with it, this is not enough to blind those with open eyes. Democracy and the secular gains via leaders like Mustafa Kemal Ataturk are under siege, in a nation where some wish to exist in the modern world, with stern elements of its non-secular past.

Nothing lasts forever, all protests come to an end, either with both sides satisfied or not. Though for the time being, its a dark time for Turkey, with the protesters one of the only lights urging the country back towards Democracy.     
Image courtesy of AP Photos - Kostas Tsironis
One of the more peaceful demonstrations:
a Sufi dancer wearing a gas-mask.
Image courtesy of Wikipedia.
If you would like to know more go to :http://www.huffingtonpost.com/2013/06/01/istanbul-protests_n_3372059.html, http://en.wikipedia.org/wiki/2013_protests_in_Turkeyhttp://www.foreignpolicy.com/articles/2013/06/11/how_the_war_in_syria_has_helped_to_inspire_turkeys_protests

(1) "Charges against journalists dim the democratic glow in Turkey" - New York Times Jan 4th 2013,  

"In Erdogans Turkey, Censorship Finds Fertile Ground" - Al Monitor Jan 2013

"Erdogans Visit to Berlin Betrays Tensions", Der Spiegel 2013 

(2) "How Democratic Is Turkey", Foreign Policy - June 2nd 2013

(3) "Main opposition urges protection of LBGT's, ruling party calls them immoral", Hurriyet Daily News May 29th 2013

(4) "How Democratic Is Turkey", Foreign Policy - June 2nd 2013

(5) Sinisa Jakov Marusic - Balkan Insight 2013.

"Art is the reason, art is the way"  

Sunday, June 9, 2013

Satya Hinduja


This months cover by Aleksandar Ares,
with layout by K.K.W.
Cover image is from the project
Rise Of The Young Ones.
Music now: From Bombay, with love. By K.K.W

If your not listening on SoundCloud, log-on, sign-up & wake up. Because your missing something great, starting with Satya Hinduja




Cover for her current album. Image
courtesy of the artist. 

Composer, sound designer & engineer, Satya Hinduja has been exploring possibilities in music ranging from upbeat dance floor fare to enigmatic ambient, which is in fact her inspiration behind "Tabula Rasha Music". Operating out of Bombay (Present day Mumbai. According to her Soundcloud profile) she earned her stripes as a film composer, but was compelled by her creative side to other artistic mediums and collaborations. And thank the Gods for that.

Satya Hinduja.  Image courtesy of the artist.
Color augmentation by K.K.W
Working for Blue Productions from December 2004 to June 2009 as a producer, recording engineer, orchestral copyist and arranger certainly shows in her personal music. The sound, pacing, tempo, beats and general feel of her tracks surge with technical talent and creative joy.

"Sunrise" is 6:06 min's of near perfection; the beginning like its namesake, rising steadily with an amazing pick-up. The first time I heard the track, it really made my day.

"Bright lights and Shadows" is soothing, haunting, with a little bit of trip-tech vocals in the beginning, stretching out into a deep resonating vibe.

"D Flawless #001" is a journey of sound that eases you into a beautiful trance. The wicked beat and tempo ascends to a peak, then decreases gently. All this while Playful ambient sounds creep in gracefully, tempting you, bringing you along. 

 
Satya Hinduja. Image courtesy of the artist.
If you would like to know more, or listen, go to:https://soundcloud.com/tabularasha. "Art is the reason, art is the way"