Original photo & digital art by K.K.W
#1. Rear window
#2. A brave new world
|#3. I watch Skopje|
|#4. On Sandanski Blvd [vo Skopje]|
|#5. Vo gradot [Fiat lux]|
|#6. Not on the square, or the level|
|#7. Memories of green|
|#8. Stairway to heaven|
|#9. Ground-control to major tom..|
|#10. I reflect, therefore I am?|
|#11. Where we Met...|
|#12. Unintended design aspect?|
|#13. I think I know that guy...|
|#14. The Policy of Truth|
|#15. Strange face|
|#16. Heaven's Gonna burn Your Eyes|
|#17. As above, so below|
|#18. Sic luceat lux|
|#19. This must be the place|
|#20. The remains of the day|
|#21. Requiem for the dead|
Out of Context: art work & text by K.K.W, curated by Kendell Kerwin.
Appropriation through the allure of a moment, is a silent verse that can be seen. The windows of the soul, in conjunction with subconscious apparitions - drawing with light - imposing emotions on reality. Questioning connectivity by redefining it, we find the high-water mark. We cannot be forsaken, immersed in all this passing beauty, raising out of deconstructed memories. Analog information through digital application; the remains of the day. "Tryin' to make it real...but compared to what?" 
All photo's are digital, and for sale [available sizes: A1, A2, A3, or inches - 11x14, 16x20, 20x30]. If you would like to make a purchase please contact the artist: 1-347-328-7903 or Kerwinares@yahoo.com.
Prior to my first major art project [In The Shadow Of The Young Ones] I wouldn't have taken notice of the unintended patterns & visual aspects of urban change. Art is what we make of it, and also being open to information that alters our perception. Even out of context a story is told; not only about the subject, but also the author.
The color image before the photo's is a preview of a new series of digital art-work, and the subject of an upcoming exhibition. Thank you for taking the time to engage with this. Some of the photographs were taken in Skopje [capital of The Republic of Macedonia], the others in New York City.
1. Compared To What - by Roberta Flack